Indiana Hawass and the pharaoh’s curse
By Osama Diab
Zahi Hawass may liken himself to Indiana Jones, but the minister of antiquities is one artifact of the old regime Egyptians want to live without.
Sunday 7 August 2011
Zahi Hawass, one of Egypt‘s top archaeologists, symbolises the point where our proud and glorious past intersects with a bleak and uncertain present. In the minds of many Egyptians, he is associated with Egypt’s modern corrupt rulers rather than the great pharaohs of ancient times.
In Arabic, the word ‘pharaoh’ always has positive connotations except when it’s used to describe an absolute and ruthless ruler or manager. This is exactly the kind of pharaoh Hawass was in the eyes of many of his compatriots.
Since Hosni Mubarak‘s departure from office, protests that demanded the removal of Hawass from his position as minister of antiquities were uninterrupted. These were held by fellow archaeologists, the guards of heritage sites, or simply Tahrir Square protesters who see him as an antiquity that they have no interest in embalming from the era of Egypt’s most recent pharaoh, Mubarak.
This pressure has yielded results and Hawass did lose the job he was offered during the 18-day revolution in a cabinet shuffle that aimed, but failed, to calm down angry anti-Mubarak protesters.
If Egyptian archaeology was a country, then certainly Hawass would be its Mubarak. Just like his former boss, he is besieged by allegations about his business interests, accusations of turning Egypt’s archaeology into a one-man show by claiming credit for scientific findings and being the sole speaker about Egyptology in the local and international media. Of course, he’s also committed the unforgivable sin of being one of Mubarak’s favourite men.
Hawass is the epitome of the kind of self-centred, egocentric and possibly charismatic figure that the revolution has risen against, along with the kind of Mubarak-era politics he used to symbolise. Even though he’s been called Egypt’s Indiana Jones, the name that probably describes him best is his very own, Zahi, which means vain or conceited in Arabic.
Evidence of his narcissistic personality is not difficult to find. In April, he launched a clothing line named after himself in Harrods, and his latest book, A Secret Voyage, is Egypt’s most expensive book ever, carrying a price tag of 22,000 Egyptian pounds (about £2,300) with only 750 copies printed, and all signed by Egyptian archaeologists.
With his rock-star attitude, Hawass might have managed to bring archaeology more into the headlines – not necessarily because of his fine discoveries or first-class research, but mainly because of his rather eccentric behaviour. Even though the man was, or made himself, synonymous with Egyptian archaeology in the minds of many, whoever succeeds Hawass is certainly not going to be the media sensation he managed to be. Hawass will be missed by journalists searching for colourful and amusing stories, but unlike his ancestors, this pharaoh’s mystique might be short-lived as a symbol of an unpopular bygone era in Egypt’s history.
The sacking of Hawass, Egypt’s latest victim of the revolution, shows that the 18-day revolution was only the mother of numerous baby revolutions against little pharaohs or mini-Mubaraks in ministries, universities, factories, political parties and so on, and his departure marks another victory for those trying to clear the country of its deep-rooted authoritarianism.
This article first appeared in the Comment is Free section of The Guardian on 22 July 2011. Discussion of this article is available here. Republished with the author’s consent. ©Osama Diab. All rights reserved.
